Sewing Ourselves Together
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Metadata (MODS) |
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| Titles | Sewing Ourselves Together: Clothing, Decorative Arts and the Expression of Metis and Half Breed Identity |
| Name | Sherry Farrell Racette |
| Type of Resource | text |
| Genre | Thesis |
| Abstract | --Description taken from "Sewing Ourselves Together"-- When I was a university student, I worked at a summer education program in The Pas in northern Manitoba. There I met three women from the Manitoba Métis Federation who had obtained a grant to teach people who worked with their children. Although beadwork and traditional arts were new to me, sewing clothes and making decorative objects for the home were not. One summer while we were visiting my grandmother in Quebec, she sat me down at her treadle sewing machine and helped me sew a dress for my doll. At home I started sewing by helping my mother who was always making something. In addition to what she had learned from my grandmother, my mother had taken a tailoring course that was offered by the Singer sewing machine company, and she sent me off to take a similar course when I was a teenager. Now she helps me when I embark on projects that involve sewing. When I began my journey into traditional arts, my mother brought me a birch bark basket that belonged to my grandmother, Helen King Hanbury. Disappointed that, in a fit of creativity, my grandmother had painted it with green boat paint, I put the basket aside. I didn't open it until shortly after my grandmother died. One day I found myself sitting on the edge of my bed with the basket in my lap. When I took off the lid, I found moccasin patterns, a piece of embroidery, assorted odds and ends, and a handmade needle case with a simple flower embroidered on the cover. I realized that I had unknowingly picked up a needle to an aesthetic tradition that my grandmother had put down. Since that time I have taken opportunities to learn from elder artists, such as the late Margaret McAuley of Cumberland House, and struggled on by myself. I have also thought a great deal about what it means when we wrap ourselves up and present ourselves to the world in a certain way and what it means when we stop. This study is an extension of the journey that began when Kathleen Delaronde helped me pick up the needle. It has been done with the greatest respect for the women who have taught me and the artists from long ago, who I am sure have been standing beside me guiding my research. (Abstract shortened by UMI.) |
| URL | https://search.proquest.com/pqdtglobal/docview/305092761/fulltextPDF/E5BF5A2284A24E76PQ/31?accountid=14739 |
| Form | text |
| Access Condition | Responsibility regarding questions of copyright that may arise in the use of any images is assumed by the researcher |
| Subject Local Name | --Canada--Clothing--art--Metis--Idenity-------- |